FreePlays.org - an open letter to teachers

Hi.

I'm writing this to you, a teacher whose students may have written, or may want to, write, a play.

I'm a part-time teacher (I teach math & computers to kids and adults), full-time computer programmer, and a dad with a 10-year-old son.  I got involved with a kids' theater group last summer and looked for free scripts on the internet.  I was surprised to find very few.  So, I've started a website at http://www.FreePlays.org.  The idea is pretty simple:  to distribute free scripts, allowing free printing, copying, modification, distribution, and performance.  Players/groups may charge for performances, and pay no royalties.  Only one major limit:  if the works are redistributed in any form (including as audio or video recordings of performances) the redistribution must be free of charge.

FreePlays.org is new, and what it needs now is a lot of scripts.  Our short-term goal is to offer at least a hundred scripts.  We want to enable a teacher, parent, or anyone else who cares for and about children to search for and browse scripts, print off a few, modify them if needed, and be ready to play.  Time spent acquiring scripts: 10 to 45 minutes.   No writing letters or checks, obtaining permissions, or sending royalty payments.  More time left for the good stuff (rich, creative, participatory experiences that stimulate kids intellectually, emotionally, spiritually, and artistically).

Once when I was a student, I had the option of writing a play as one way of fulfilling a writing assignment.  I'm writing this to ask you, if you have students who have written a play or may be interested in doing so, to please:
  1. consider offering your students the option of writing a play, and
  2. tell them about FreePlays.org, and that if they would like, they may contribute their work.
For now, we are offering only English language plays, but we are ready, willing, and able to offer scripts in other languages as soon as we get  them.

In the case of minor students, I would of course need permission from your student's parent/guardian; but I can obtain that, or make it easy for you to do so.  I wrote a letter much like this one, explaining to parents FreePlays.org and how they may permit us to publish their child's work.

Though FreePlays.org is young, I've already found that some people and organizations take offense at our effort.  They state variously that it will tend to eliminate the livelihood of playwrights, that I'm disrespectful of their craft, and/or that I am committing an offense even to ask a skilled professional to give away their work.  I'm sometimes asked “how would you like it if someone asked you to give away your work for free?”.  My answer to that is simple:  I like it just fine, and do it all the time.  We computer programmers frequently give away our very best work, freely, to anyone who wants it, just like FreePlays.org gives away scripts.  I used free software that volunteers created to write this letter, and if you're reading it on the FreePlays.org website, it's free software that served it up to you.

Back to the point, which is your students, who are presumably not professional playwrights.  A question along these same lines could be “isn't this exploitation of child labor/my students?”

I'm not attempting to exploit your students.  I value my own students and care about them and their welfare.  To exploit my students or yours would be repugnant.  I've carefully chosen the rules for works published on FreePlays.org to, as much as possible, protect authors exploitation.  For details of this protection, you may see the license information at the bottom of every page on FreePlays.org.

Another consideration.  A FreePlays.org contributor (and teacher) told me that "the teachers need to be convinced of solid educational benefits of submitting to Freeplays.org."  I can identify two solid educational benefits, plus one less solid.

The first solid educational benefit is inspiration.  I'll bet your experience as a teacher agrees with mine:  if I can get 'em inspired, the rest is relatively easy (and very pleasant and rewarding).  FreePlays.org does inspire young writers.  My own son loves writing plays for FreePlays.org and begs me for the chance to write more.  For whatever reason, kids just love the idea of other kids reading, enjoying, and benefiting from their work.  It is a very powerful motivator; they sit right down and write with gusto.  Surprisingly often they keep on working, without duress, until they finish.

The second solid educational benefit is a broadening of the student's writing ability and experience.  Writing a play is different from writing poetry, short stories, or book reports, with different rules and considerations.  There are too many of these to list here; I'll just mention three.  The language style needs to be different:  lines that read fine on the page can be unpronounceable or sound clumsy on stage.  Certain technical errors, such as putting a character in a quiet love scene after they've just finished a battle scene, are possible only in plays.  And plays, if they're to be performed, need more characters than stories, even if the story doesn't demand them.  A good story can contain only 1 or 2 characters, but cast sizes tend to run around 10 to 20.  People won't select your play for performance if it excludes 90% of their drama group (although please note that FreePlays.org's "around the world in 40 plays" project addresses this difficulty).  When writing plays, student authors learn about and address these challenges and considerations.  It takes them into a whole new realm as writers.

FreePlays.org can support this “broadening” benefit by offering a student playwright a much greater chance of hearing &/or seeing their work performed, than if their script goes into the trash or the "old homework" box.  We will accomplish this by freely distributing audio and/or video recordings of performances, as they come into existence.  The effect on a young writer of hearing/seeing their work performed, is powerful.  Students learn that only when writing plays (or their cousins, screenplays) do you determine the speech, behavior, and actions of another human being.  Other humans become the characters you have created, speak your words and thoughts, and carry out your actions and directions.  It's exciting, dramatic, makes kids proud, and truly boosts their development as a writer.  They often will rewrite their play, after seeing/hearing the performance, and learning what “worked”, what didn't and  why or why not.  When this happens, FreePlays.org will publish the revised script, while still serving up the original version to anyone who wants it.  It can be very educational to read both the “before” and “after” versions of the script.

Of course no one can guarantee that a play will be selected for performance, and if so, that anyone will record it.  That is a part of the “playwright biz” that I don't imagine anyone will ever overcome.

The third benefit that FreePlays.org provides is exposure, or publicity.  FreePlays.org can provide a publishing outlet for authors that would otherwise be completely unpublishable and remain unknown.  I don't envision FreePlays.org as a place to become famous, but the site does support an "author profile/bio", which may include contact information.  In the case of minors we are very careful about this; typically including the contact info of the student's parent, rather than the student themselves.

This third benefit, the opportunity to become renowned, or get verifiable public recognition, is a minor consideration to me, but it appeals greatly to some folks, including "stage moms" and/or parents who are looking for something unique to put on their kid's application to a 7 sisters or Ivy League school.

Recalling that some folks almost viscerally oppose the idea and existence of FreePlays.org, I know that you, fellow teacher, may disagree with our effort.  If so, I apologize for any offense I may have given, beg your pardon, thank you for your time, and ask you to please disregard this whole matter.

On the other hand, maybe you approve of FreePlays.org, our goal of promoting participation in and love of drama, and our way of going about it.  If so, perhaps you'll offer your students the option of writing a play, and let them know that if they would like, FreePlays.org will publish their script freely to the world, under the terms at the bottom of every page of the FreePlays.org site.

Thank you

Paul Bunyan

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